The film “The Marvels” encountered several challenges, including a difficult production process, financial disappointment, and criticism from fans regarding its storyline. This was particularly unfortunate considering the film’s goals: serving as a sequel to “Captain Marvel” and integrating Disney+ streaming shows into the Marvel Cinematic Universe by including characters such as Ms. Marvel and Monica Rambeau.
Director Nia DaCosta faced significant criticism, becoming an easy target as a young, Black, female filmmaker at the helm of a complex project. However, this blame was largely considered undeserved and offensive, as DaCosta was a small part of a larger corporate structure over which she had limited control. Reflecting on the situation, she maintains a positive perspective.
During an appearance at the Storyhouse screenwriting festival in Dublin, as reported by Deadline, DaCosta explained the challenges of working within the Marvel filmmaking framework. She noted that the process required intense dedication, as the studio had set schedules and plans. Her approach to filmmaking differed from Marvel’s process, and while she hoped for the best outcome, she acknowledged that this was not achieved. DaCosta described the experience as a valuable learning opportunity that strengthened her skills as a filmmaker, particularly in navigating complex projects.
At a certain point, DaCosta realized that the final product would not align with her original pitch or initial version of the film. She accepted this reality, viewing it as a learning curve that contributed to her growth in the industry.
It is speculated that DaCosta’s private discussions might reveal less diplomatic feelings about the situation, given how she was blamed. Nonetheless, she appears to have risen above the controversy, using it as a learning experience in her career. Her next project involves directing “28 Years Later: The Bone Temple,” set to release in January 2026, which will take her to the zombie-infested coasts of the United Kingdom.